This is a science fiction novel suggesting the concept of time travel. Wells wrote another popular novel called The Time Machine. There are no Disney attractions previous to this involving H. One such example about this idea of performance and journey comes from the show itself. Its’ inspiration comes from the Timekeeper, and from a symbol of the show that was part of the original queue before it was later changed to Monster’s Laugh Floor. To that end, we want to offer posts and podcasts that foster the spirit of Performance Journeys. It’s also why I quote the Alan Menken song from Sinbad’s Storybook Journey at Tokyo DisneySea when I end the podcast. So it’s as much about the journey, as it is about performance. After all, what good is it to arrive in some place after exerted effort, only to realize that you ended up in the wrong place. Staying true North to what you believe in is a powerful notion.
That’s reflected in the compass of my organization’s logo.
It’s not just having a life of accomplishment, but rather a life well-lived. Life has purpose and we should seek to find that purpose. Life has meaning in the work we accomplish. Our strength does not lie in just getting results but doing it by effectively working with others to accomplish something that matters. The word Journey suggests the approach we take toward making performance meaningful. It’s about doing your very best whatever that looks like. It’s about making do with whatever we have before us. We have to acknowledge limited resources. And that is represented by the first word, performance. The journey should include accomplishment. We should identify opportunities, work on our weaknesses and develop strengths. We build on the idea that achievement is important. And along with our timepiece/compass ensign, I hope to express two critical ideas that I believe are essential to success in life. But Performance Journeys is more than an organizational title. Performance Journeys is my own organization, that has largely focused on solutions that I’ve provided for nearly twenty of my nearly 40 years in the business of training and development. Organizations far and wide in the public, private and non-profit arenas. I have two, one that is a partnership with a former Disney Institute leader where we benchmark not just Disney but other organizations and their best practices. You can find the podcast here on Podbean, iTunes, Spotify, and ListenNotes. Please subscribe! What is Performance Journeys?īy way of introduction, Performance Journeys is the name of one of my companies. Join us on this Performance Journey.Īn outline is shown below but our podcast carries narrative of the entire experience. And it’s that attraction that serves as the message for today’s podcast as well–defying the impossible & improbable at Disney and beyond. It is taken from a former Magic Kingdom attraction known as The Timekeeper. To that end, I’m introducing new set of podcasts on this channel around what I refer to as Performance Journeys. Something more inspiring that can be a catalyst for becoming the best we can be.
But I felt I wanted to provide those who listen to this podcast something even more unique. I also offer unique podcasts that focus on best-in-business ideas from Disney that can be applied back to your organization. I provide plenty on all matters regarding the magic and fun of Disney. Laugh Floor, marking the last of the Circle-Vision 360° films to use the space.Recently I had an epiphany about my podcasts and what I wanted to offer. In February of 2006, The Timekeeper closed it’s doors to make way for a new Monsters Inc.
Though similar, the attraction’s sister films were slightly different based on their location. Wells (played by Jeremy Irons) and Jules Verne as well as a look into Mozart’s childhood and Leonardo DaVinci’s inventions. First to the Jurassic Period (seemingly in error) and then onto destinations in our history that include a meeting of H.G. The Timekeeper uses his machine to send “9 Eye” into the past. Unlike the previous films shown in the theater, The Timekeeper included a state of the art robot animatronic as well as multiple special effects. Using the same Circle-Vision theater space as it’s predecessor American Journeys, The Timekeeper opened in November of 1994.īefore the film began, guests were introduced to the Timekeeper (voiced by Robin Williams) and his robot invention “9 Eye” (voiced by Rhea Perlman) who he would be sending into the past as we the guest viewed history from her “eyes”.
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